My wife refuses to watch “Hi Fidelity”, she says it reminds her too much of what life with me is like. I’m not sure, but I’ll assume that’s a good thing.
In (sort of) honour of the story, here is a list of Martin Rushent records that no self respecting collection should be without (at least in my opinion). A great feature of his productions were that they sounded really loud, despite the limitations of pressing them on vinyl. CD manufacturers please take note, just making the volume higher than other discs doesn’t make your release any better.
During 2011, after Martin’s death Lauren Laverne on BBC 6Music ran a half hour tribute to him, these (as far as I remember) were all included. It was like having 30 minutes of radio just from one section of my collection. Fabulous.
Here they are, in no particular order, other than the one in which they occurred to me…
- Intaferon – Getoutoflondon.
I’ve played this track regularly ever since it came out in 1983. A record that gets better the louder you can hear it. Great clear production and a fantastic stream of lyrical content that, even armed with the words on the back of the sleeve, it’s difficult to sing along with. - Pete Shelley – Homosapien.
From a couple of years earlier, 1981, but still with the same clean, loud sound and more acoustic guitars, I guess after 4 1/2 years of punk, acoustic seemed radical. Who cares, it sounded great then and, with that driving electro bass thump underneath it, it still does. This has been remixed and re-recorded, but the original still knock spots off the other versions. - The League Unlimited Orchestra – Hard Times.
Martin is rightly remembered for the production work on the Human League LP Dare, but I have always thought that the remix album he produced afterwards had tracks on it that were even better. Without having to fit in with the lyrics, the music could be turned up louder. - Altered Images – Happy Birthday.
It wasn’t just because everybody fancied Clare Grogan; I dare say some people still watch Eastenders every week hoping she’ll turn up again. This sounds as happy and carefree as it did when it became another of Martin’s 1981 hits (I use the word hits in its loosest term here, just because not everything here made the charts, doesn’t mean I can’t call it a hit). I’d much rather hear this than Stevie Wonder’s song of the same title. - The Stranglers – No More Heroes
There were many great Stranglers tracks in those few years, but this one is probably now played more than any of the others, at least on the radio. Punks who could play their instruments and read books; no wonder everybody hated them
. This track shows off Martin’s production style again, with plenty of space around the instruments. Even though the result can still seem like being battered with a sledgehammer, listen to it closely and it becomes obvious how much thought was put into the way this should sound.
Kathy hoped to see a leopard this time around, and would have been happy glimpsing a tail disappearing into a bush. Imagine her face when, as dusk approached on our first full day, we parked beside a female leopard waiting for darkness so she could begin her nightly hunt.
Seeing game up close while walking is of course, much more difficult. The game was not used to our presence and either viewed us with disdain, or saw us as a potential threat. There are other treats though that you don’t get while in a car. Sitting silently under a bush at a waterhole for nearly an hour having tea, we were treated to close up views of impala and warthog just a few metres away. At such a time, you dare not even take a photo for fear of scaring them off. The Go-Away bird knew we were there, but he could not work out what we wanted, so we remained hidden from everyone else.
Being at ground level, rather than elevated in a car, you can appreciate just how big an elephant is. To be trumpeted at and mock charged, even if only a few steps towards us, forces adrenalin round the system in a manner we’re not used to experiencing. Later, skirting round a clearing to get a good view of one elephant, we came across the site of a second one, eating and drinking at the far bank of the river, completely oblivious to our presence. With the sun’s golden rays coming in from a low angle, it made a glorious sight.
Not everything you see on mobiles is in the far distance. While having our morning tea, we spotted vultures circling over some trees in the distance and determined to set off in that direction, hoping to find evidence at least of a kill, or better still, lions in the vicinity. As we walked along the river bank, a Bateleur eagle swooped low overhead, followed shortly afterwards by a juvenile Fish eagle. photographing something like this may seem easy for the professionals, but for the rest of us, you have to snap with whatever camera mode you happen currently to be using.
Our walk brought us within 200m of a lion pride, the leader of which growled at us and mock-charged until we left. Being on foot, with no protection other than the ranger’s rifle brings home to you just how vulnerable we are in this environment and how precarious life is on a daily basis.
Returning to camp later that day, we encountered a small family group of elephants, one of whom took exception to our being there and chased us (as Simon predicted) along the road. The following morning, we set out to visit Kawaza village and were chased by the same large female, though this time it was obvious that she was protecting a youngster. The little one was estimated to be about 2-3 days old, still wobbly on its legs and unsure where to suckle from. Back at camp discussing these encounters, it was thought that we were chased by this little baby’s grandma; she is not normally so aggressive and will need retraining at the end of the season. That evening we saw them again, but this time stayed at least 500m away. We wanted to avoid continually upsetting a mother and her new baby even if they do make a particularly photogenic pair.


